I'm building a Volapük dictionary called Vödabuk. You can visit it at vodabuk.com.
I'm building a Volapük dictionary called Vödabuk. You can visit it at vodabuk.com.
Paper-based paperwork is history in the first capital of Japan. It's an honor to contribute to the development of Nara Prefecture.
I was commissioned to work on the cover art for Martin & la Talpoj's latest EP, Vestiĝoj, produced and released by Vinilkosmo. It was an honor to be able to listen to the songs before their official release.
I combined my portfolio and blog into a single site to cut down on costs and simplify maintenance. Now, I'm using Astro and Tailwind, and I'm using React for some components. I'm deploying it on my own VPN in Nurenberg, using Github webhooks to redeploy it every time I push to the repo. I started using AWS first with Netlify, but decided to move it to Hetzner with Coolify. I'm enjoying the new setup a lot.
The Pestryoshka campaign for Boecker made it to the cover of Lürzer’s Archive. Thanks to Ibrahim Barakat of Studio Melt. Illustration by Carmine Bellucci in Milan.
I worked on a projection mapping for the Tokyo National Museum, showcasing one of Japan's national treasures—the 紙本著色花下遊楽図 (Merry-making under Aronia Blossoms), a folding screen masterpiece by Kano Naganobu, dating back to the Momoyama Period. I worked on the animation of the characters and the ceiling. The project was led by Prototype, and I worked as a member of the Amplifier team.
If you go to the KDDI Museum in Tokyo, you'll see my shadow, acting as the first telegraph engineer to arrive in Japan. You'll also see my animation explaining how the machine works. The project was led by Prototype, and I worked on it as part of Amplifier.
今年の年賀状でございます。本年もよろしくお願いいたします。